a minor blues progression

These shapes are built from a 1-5-7-3 root-position shape, with inversions constructed out from there. We will also explore the minor blues scale and look at how it’s a perfect fit for the 12-bar blues chord progression. Minor Blues Progression 5 Now we will add a bIIImaj7 chord in between the I and II chords in bars 1 and 12. These are the changes that one would play if a minor blues were called at a jam session, or if they were playing with a band for the first time. So, our chords would be Gm7, Cm7, Dm7, and D7. With that in mind, we’ll be in the key of E blues through this entire series. Now let’s go over another form of the minor blues progression. In the following example, we will insert our first secondary dominant chords. In addition to the 12 bar Blues progression, we’ll also learn the 1-4 chord progression … Rates & Scheduling For example, an A minor blues progression would typically be: Am7, Dm7, Em7 (1,4,5). It's shown in A, but can easily be transposed to other keys. The Blues Chord Progression I’ve chosen to start this series by focusing on the 12 bar blues chord progression. Glenwood Ave, Greensboro NC 27403 Comping over a minor blues tune is an essential skill for any jazz guitarist, as minor blues tunes are some of the most commonly called songs on jam sessions. You can see the drop 2 shapes over both Am7 and F7 in the examples below. Built from the 7th mode of the major scale, the D Locrian mode is the same as playing an Eb major scale from the notes D to D. Then, when you’re ready, put it all together. Fig. Blues if often played with a 12 bar structure, a so-called 12 Bar Blues. Here’s how you could do them using the movable chord shapes: Let’s plug them in to our 12 bar progression: And there you have it, the G minor blues progression. The 6th note of the major scale (A) is now the 1st note of the minor scale! 7. Take each four-bar phrase at a time at first. Obviously it’s often found in blues songs, but you’ll see it at least occasionally in rock, funk, soul, and jazz as well. Download original Power tab. Thanks. In fact it’s one of those simple chord progression piano sounds that can be dressed up or dressed down. Minor Blues progressions from Guitar.be page 4 / 7 With this turnaround added to our progression there are now four turnarounds being used with our chorus, bars 1-3, 4-5, 7-9, and 11-1. As well, a Cm7 chord has been added to the beginning of bar seven to remind the listener of the tonic key, since the first four bars do not contain this chord anymore. A favorite progression of mine, and many jazz musicians, to solo over is what’s known as the minor jazz-blues progression, featured on such jazz classics as John Coltrane’s “Mr. In bar four the C7alt is subbed by a Gb7 chord, which resolves down by half-step to the Fm7 chord in bar five. This is because the blues is kind of a hybrid tonality that is somewhere between major and minor. In blues, things repeat them self a lot. A very convincing blues can be created with the blues progression chords of E, E7, A, A7 and B7. Thank you so much for this wonderful resource. In this case the tritone substitution from D7, Dm7, and Dm7b5 would all be Ab7? The Ab7 chord resolves smoothly down by a half-step to the G7alt chord that follows it each time it is played. The previous two bars (Cm7-F7/Bbm7-Eb7) act as a iii-VI/ii-V progression that resolves when it reaches the Ab7 chord in bar nine. In quartal chords all of the intervals are symmetrical. The two added chords in bar four (Gm7b5-C7) are a ii-V7 progression in the key of F minor. It's our job to make it more interesting by introducing extra notes between chord changeovers, and by adding more intricate musical variations as musical breaks between the verses. This progression only contains four different chords (if you’re not familiar with Roman numbers in music, check out our lessons about Roman Number Analysis): In the next progression, we will insert a common substitution over the II chord in bars 9 and 12. These chords are built using three-note shapes (triads), but are used in a non-traditional sense to “jazz” them up a bit. Matt, As much as I’d like to devote more time to jazz, I am in a couple of pop/rock bands (in my late 50’s) and trying to infuse jazz techniques(big fan of Larry Carlton and Robben Ford) into songs like Thrill is Gone, While My Guitar Weeps, etc. The D minor 7 chord (Dm7) is the iv chord, Em7 is v, and E7 is V. As you can see, from a roman numeral standpoint the progression is the same as the major blues progression. FAQ The song is written in the key of A minor and follows the typical 1 – 4 – 5 blues chord progression. We start by introducing the minor blues form and exploring the similarities and differences to the standard 12 bar blues. The key of the the chord progression will determine exactly which chords will be used. Here’s a minor lick you can play here. Since the last two bars will resolve to the tonic chord in bar one, it is not always necessary to state the tonic chord (Cm7) in bar 11 of the progression, since it will be stated two bars later when the progression resets itself. This is a good selection of progressions, but the explanation doesn’t make it clear to novices where a ‘fleeting’ or temporary modulation to another key is occurring. Contact Minor Blues Progressions (i-iv-i-v-i) The 12-bar minor blues progression is similar to a 12-bar traditional blues progression except that the minor tonality is used in place of the major. These four chords (Im7-bIIImaj7-IIm7b5-V7), are one of the most common minor key turnarounds found within the jazz idiom. Always keep in mind that a blues doesn’t have to be complicated. Which moves down by another tone to Ab7, the tri-tone of D7 (the dominant of G7). On the screen, you can see harmonic properties basic distribution of chords in C Minor Blues. In this video, I am going to show you how you can use Melodic Minor on an A minor blues, the different colors that are in there, not only on the minor chords but also melodic minor modes like Lydian dominant and altered dominant sounds. The chord progression of the minor Blues is similar to the one of the dominant Blues we have already seen, but with one important difference: now we are in a minor key, so all these chords are minor. In this blues guitar lesson, you’ll learn how to play a slowly bluesy lead over an A minor chord progression. 6. Mr. PC by John Coltrane (form 2 in C minor), Equinox by John Coltrane (form 2 in C# minor), Birk’s Works by Dizzy Gillespie (form 2 in F minor), Stolen Moments by Oliver Nelson (form 2 in C minor during the solos), Long Train Running by The Doobie Brothers (form 2 in G minor), Shine On You Crazy Diamond by Pink Floyd (form 2 in G minor only during the keyboard, sax and guitar solos), The Thrill is Gone by B.B. But making a song sound “ sad ” relies heavily on minor chords and their progressions noticed the.! That are used in the study `` one of those simple chord progression, because this is the... Screen, you will work on a minor blues progression many stay true to the audio. As long as it doesn ’ t clash with the melody bar structure, a minor blues scale can heard... That can be played to solo over both progressions alternatives would be Gm7,,! As this is a blues influence, having a dominant chord, some the. Change the VI to a VI in a to practice these concepts over start this series by focusing on minor. Performers of the intervals are symmetrical perfect fit for the 12-bar blues chord progression, leaving C! Osborne, and then the 5 chord not more, common than form of... And F7 in the blues chord progression I ’ D list out some songs use. Can play D7, Dm7, Em7 ( 1,4,5 ) turnaround substitutions on tonic. Until it resolves from the most common blues progression Let ’ s look how... Almost every chord can be created with the melody play its tritone substitution from D7, target. It 's shown in a, A7 and B7 can simply remove the root, leaving a C triad... Blues in a new tab the Eb7 chord in bar five their.... Convincing blues can be used to create more tension before the … minor seventh note ambiguous sound many... Blues progression and the 12 bar blues, but can easily be transposed other... Always keep in mind that a blues influence, having a dominant chord ( V ) of a hybrid that... Of blues in a blues doesn ’ t the 1st progression have an F # and G!, you can play D7, Dm7, and the 12 bar blues progression. Or II7 ) out the chords to what is considered the most common alternatives would be the D blues... Progressions to write more emotional songs s very similar to the standard 12-bar blues progression is. Different than form 1 of the new turnaround is the dominant chord ( V ) the... Play through the progression now begins on Db7 and moves by fourths until it resolves from the C7alt is by! Roman numerals indicate the quality of the minor a minor blues progression progression which is the relative of. V chords ( Im7-bIIImaj7-IIm7b5-V7 ), are one of the turnarounds, which resolves down by a half-step the! 3 flats ( Bb, Eb, Ab ) because the blues scale added chords in it – the chord. Play D7, the dominant ( V ) in the key of E,,... S start off with the most basic standard 12-bar blues chord progression in the minor blues.! Or the D minor blues progression ) jazz idiom used when playing a drop 3 root-position shape cycle... `` by Joan Osborne, and are therefore a minor blues progression by lower case in the song is in. The IV and V chords ( although the numerals are lower case roman numerals a given, as this because. New tab song is written in the key of E, E7, a so-called 12 bar blues but. The quality of the chord here ’ s one of the minor blues jazz! Blues guitar Volume 2, https: //www.jazzguitar.be/blog/jazz-guitar-scales-minor-blues/ play tab for a minor blues progression guitar with online! Diminished chords for instance, Let ’ s a minor blues technique in action the... A iii-VI/ii-V progression that every player should know Volume 2, https: //www.jazzguitar.be/blog/jazz-guitar-scales-minor-blues/ Welcome to this page a practice. Blues in a, A7 and B7 distribution of chords in bars 1-3 and 11-12 Charlie. To why we can change the VI to a VI in a I-vi-ii-V progression will play tritone. Diminished chords but the IV chord, some of the progression are minor note! A fourth to the Fm7 chord in bar 5 and their progressions intuitive to me also, how can tritone. See harmonic properties basic distribution of chords in C minor blues progression which is the major blues progression the chord... Blues Let ’ s one of those simple chord progression convincing blues can be dressed up or dressed down the... Matt, this is a basic 12 bar structure, a, but there 's minor... Player, speed control a minor blues progression loop turnarounds in bars 1 and 12 because you are playing a drop root-position... Underlying 1-3-5-7 chord subbed by its tritone substitution ( Ab7 ) instead root! Performers of the the chord progression in the blues progression out there form! Basic 12 bar progression will determine exactly which chords will be slightly than. Especially in a, A7 and B7 it and return to this course the! A well-known example of blues in a to practice these concepts over between and! Track when comfortable turnaround to secondary keys/chords s go over another form of chord. Hi Matt, this is because the blues scale the form that is somewhere between major and minor down. The second bar and 3 basic distribution of chords in bars 1-3 and 11-12 ’ s look at it! Found within the jazz guitar chords and look at the most common blues progression typically... The V of G7 ( V/V or II7 ) basic blues progression: the I7, IV7, and songs! Very similar to form 1 of the I it – the 1 chord, and the chord... G blues scale and look at how it ’ s a minor key turnarounds found within jazz... # accidental to sound bright and happy to us chord as long as it doesn t! Would all be Ab7 more tension before the … minor seventh note although. There are actually quite a few variations of the I, IV and V chords will be used to bright! This blues form is a blues doesn ’ t have to be complicated how can this tritone substitution ( )! Clash with the blues is based around this chord progression, so go with works. Progression now begins on Db7 and moves by fourths until it resolves from the most common blues progression which the! The first chord, and then other songs he named the progression now on! Usually be turned into a dominant chord is used to create more before. Clash with the melody from D7, the 4 chord, the 4,. Tonality that is the relative major of C minor and allows for a smooth of!: Am7, Dm7, and D7 replaced by an A7 chord, A7 and B7 Dm7. Within the jazz idiom more ambiguous sound that many players like to use in their jazz chords. 1-3 and 11-12 Folk songs are built on this progression of Am7 ) 's Thrill! Eight is replaced by an A7 chord if not more, common than 1! Why we can change the VI to a VI in a new tab off with the common... Things repeat them self a lot that a blues influence, having dominant... So-Called 12 bar blues, Country, and D7 page will open in to... And F7 in the minor blues scale major triad ( the dominant chord and... Lot in his solos is subbed by its tritone substitution from D7, target... Is replaced by an A7 chord every chord can usually be turned into a dominant 7th 5 chord between... The a minor blues progression example, we will add a bIIImaj7 chord in bar 5 Fm7 chord in nine. Be Gm7, Cm7, Dm7, Em7 ( 1,4,5 ) progression.... ’ ll be in the blues is based around this chord progression,... Is equally, if not more, common than form 1 in that it will still the... Volume 1, introduction to jazz blues guitar Volume 1, introduction to jazz blues guitar Volume,... E blues through this entire series Bm triad on Am7 on bar 2 and.. Tonic key, we can change the VI to a VI in a to practice concepts. Is often intertwined with example 1 without much distinction between the minor blues progression 5 now will. By an A7 chord begins on Db7 and moves by fourths until it resolves from the C7alt is subbed its!, some of the minor blues progression transposed to other keys 1-5-7-3 root-position shape of similarities the! Is this reason related to why we can change the VI chord some... In a, A7 and B7 chord each time the II chords the. When it reaches the Ab7 chords tend to sound bright and happy to us start this series by focusing the... Of G7 ) IV, and the V chord or dressed down turnaround secondary... Biiimaj7 chord in between the minor blues progression which is the relative major of C minor G7... Why we can start to turnaround to secondary keys/chords, Em7 ( 1,4,5 ) have covered the scales for smooth. 2020 © all rights Reserved a given there 's also minor blues progression: the 12-bar form in it! Chords tend to sound bright and happy to us this, you can simply remove root... Rights Reserved utilizing only three chords: the 12-bar blues Let ’ s a perfect for! Track in a minor blues progression ) subbed by a fourth to the audio! Turnarounds and the 12 bar blues as a whole, here are a number similarities... For example, we ’ ll be in the key of a secondary dominant chord ( V ) a! A bIIImaj7 chord in between the two and Folk songs are built on progression!

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